The 10th/11th-century critic al-Yamani argued Kalila wa-Dimna's 'Indian book' framing was Ibn al-Muqaffa's own invention, not a translation
The consensus transmission chain — Sanskrit Panchatantra → Borzuya's lost Pahlavi → Ibn al-Muqaffaʿ's surviving Arabic Kalīla wa-Dimna — described in claim-kalila-wa-dimna-descends-from-borzuyas-lost-pahlavi is not unanimous even among near-contemporary readers. The 10th/11th-century critic al-Yamanī, in his Kitāb Muḍāhāt ("Book of Comparisons"), argued that the entire "Indian book" framing — the claim that the work descends from a foreign Sanskrit source at all — was Ibn al-Muqaffaʿ's own invention: that he adapted pre-Islamic Arabic poetry and dressed it in a foreign-translation conceit, rather than genuinely rendering an Indian original into Arabic. The argument is reported by the 2020 AnonymClassic project's critical-edition article, which cites al-Yamanī directly but does not itself adjudicate the dispute.
This is a minority position — every other Tier 1–2 source in this vault's current cluster treats the Sanskrit-to-Pahlavi-to-Arabic chain as settled — but it is a documented one, from a period close enough to Ibn al-Muqaffaʿ (d. c. 757 CE) to carry some evidentiary weight of its own, and it is the sharpest attested challenge to the chain's authenticity this vault has found.
Source
“The aforementioned al-Yamanī, who wrote a critical commentary on Kalīla wa-Dimna that takes the form of a sort of »counter-anthology«, accuses Ibn al-Muqaffaʿ of prosifying the wisdom found in Arabic poetry and then packaging it in animal stories of his own invention.”
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